Nanowrimo Tips or What Not to Do.

The good thing about failing the challenge twice is that you soon understand what not to do. Nanowrimo by merit of its peculiar structure makes certain things which would normally be okay hard to do or even drawbacks, especially for the first-time participant. Here’s a list of things that may help you as you burn down and go for the goal of getting 50,000 words written in a single month.

1. Be Modest in Your Novel’s Scope.

As of today, you have twenty-three days to research, plot, and prep your novel. Unless you already have a large outline and bunch of research for a project you’ve  never actually committed a single fictional word to paper, chances are you are going to be trying to write from a hazy or undefined idea. While this is for fun, and you can plan as little or as much as you like, this tiny lead up time will affect the shape of your novel. It means you don’t have the luxury for many things, like intensive research, or that intricate plotting needs to be done very quickly if at all.

In practical terms, let’s say you love Game of Thrones, and you have always wanted to write an epic fantasy. By all means, it’s a wonderful idea, but keep in mind that a complex book like GoT that deals with tons of characters and incidents is not easy for even professional authors to write. It can often take years between installments. Trying to reach that level of complexity, especially as a first-time or budding author can be hard to impossible in the timeframe given.

Think about a less epic story, focused on fewer characters and modest situations. Even if you write epics just for fun, the more streamlined your novel’s reach is, the less issues you’ll have during crunch time, and the more effective your dwindling planning time will be.

2. Shorter is Better.

We’re used to doorbusters as readers. Reading 600-700 page books that only tackle one part of a complex series is very common, and like the example above, people love to read them. But even apart from Nanowrimo time constraints, shorter novels are often much better works. And of course, easier to write in that fast of a time frame.

Look at this way. Let’s say I plot my book out, and a rough idea of the word count would end up at 90,000 words. This is because I have a lot of events and chapters, and I am not James Patterson, who thinks 250 words a chapter is a readable book. That’s 3,000 words a day. Not so bad, right?

Here’s the thing though. You miss one day, you now have to make up 6,000 words. If for some reason you can only write 2k that day (being sick, the thanksgiving holiday, etc…) the next day you need to write 7k. The more words, the harder it gets when you miss or underperform.

A 60k word novel is only 2,000 words a day, and that writing rate is a realistic goal for many people to achieve. It’s easier to reach daily targets, and in case of a crisis, you can still dig down and reach your goal with hard effort. Think of this like a marathon-if you challenge yourself to reach too hard of a speed, you’ll burn out. Slow, steady, and constant wins.

One last plus is that shorter novels make you a better writer. The dirty secret of our age is that doorstoppers tend to breed lazy authors with no sense of precision or economy in their work, and many of the best works in the English language are short ones, like “A Wizard of Earthsea” or “Animal Farm.” Don’t despise shorter word counts.

3. Choose Your Idea and Stick to it.

You want to fail Nanowrimo, get tired of your book and shelf it for another one during November. In the above example, I talked about how high word limits make missing a single day hard or even impossible to recover from. A week, as well as planning on the fly? Good luck.

Even if you lose your way, or lose ambition, stick with the original idea. The goal is to push your limits to deliver a complete, written first draft at the end of November. Think like a writer, and remember you can edit it after or even shelve it if you don’t like it. But you must finish first.

4. Be Social.

Nanowrimo maintains forums to talk with others, and forums to get advice on concepts, bounce plot ideas off others, ask for help with research, or just to talk about things. They also list face to face meetings where local Nanowrimo people can write together in cafes or bookstores. This social aspect is a lot of fun, and also helps you. You aren’t in this alone, and you need all the encouragement you can get.

You can also make friends from it, and the whole atmosphere of the challenge is about connection and the communal aspects of writing. Be sure to use all the features and resources of the site!

5. Don’t be Market-Minded!

You aren’t doing this to write the great American novel. The time limit is a device for you to grow as a writer, either by finally getting off your butt and writing a complete book, or using time pressure to come up with works your normal schedule would never allow you to. Don’t come into this thinking you are going to write the next Harry Potter, or sell your novel to a big publishing house from it.

You’re writing a first draft, and it’s going to be ugly. You are going to encounter serious doubt about your abilities, and if you set those kinds of standards, you are going to look at your work in progress and see nothing but fail. But all those published works go through round after round of self-editing before they even see a publishing contract, and then more rounds under the imprint’s editor. The first draft is just the beginning steps of the novel, and a lot of the real work is in editing.

If you accept this, it helps. A common thread through these tips is not to set the bar too high for yourself to the point of making the challenge harder. Relax, accept your weakness, and you’ll really be surprised at what you can do when you are in the middle of the challenge.

I hope these tips help you. Remember, this is for fun, too. Reading these I come across as very serious, but the goal is to get you into a good flow state where you make your writing targets each day, and there’s less worry and more joy at the creation of a work. It’s very much like running or exercise-good habits and realistic goals make exercising easier on you and more productive. Keep that in mind, and you’ll have your first draft done at the end of November, and can celebrate.

Delaying Starlight Girl

Unfortunately, the editing isn’t working well, and I’m having a lot of issues with plotting. I have some great scenes, but I’m not sure about the connections between them. I think part of this was trying to switch into a YA focus with something that essentially was a kid’s book to start with, and part of it was due to the concept. So I think I’m going to need to shelve it and come back to it, while working on another project.

It’s not easy to admit, especially with 50,000 words put in on a first draft, that the book needs to be put aside. But it’s better to do so rather than invest emotional energy into worrying about it, and I can always revisit the book when I have more skill.I learned a lot while I wrote and edited it, but it’s just not working enough where I could see editing coming out with a decent novel. I might do a post-mortem post on it to see what didn’t work and what did. Mostly it’s plotting issues and several issues with the main character and love interest that aren’t easy to fix.

So a short break for me while I think on a project to replace it. National Novel Writing Month is coming up, so I may participate in it again this year. I’ll also be blogging a bit more and continuing to comment on interesting blogs and websites. Wish me luck!

Some idea of how I change between first and second drafts

If you’ve ever wondered what exactly happens when a person edits a book, here are some non-spoilerish things I have had to change in my book in progress, Starlight Girl and the One Hundred Werewolf Challenge. The first draft was writing to discover the story, and the second is expanding and fixing it. Here are a few things I have had to do:

-I dumped the entire opening paragraph of the book. It conflicted with later developments of how magic works in it. A specific example was in my main character’s name. She started out saying that “You can call me Evie,” but as I wrote her, she became more of a princess type, and the opposite happened. I made her hate being called that, and how she always insists on being called Evelyn when done so.

-Some expanding of scenes to provide more clarity on how the world works. A lot of incidental scenes I either changed or expanded. Evelyn’s first transformation for example originally happened in front of her dorm. I moved it into a new location specifically created to have a lot of people to witness her.

-I decided to name the interlude chapters after the characters they centered on, and I changed the chapter subtitles to reflect a formula for consistency.

-Some minor changes to characters. One change coming up is to change the occupation of a secondary character from nurse to car mechanic.

-A big change was in location. From Maine to North Carolina. The  secondary characters sounded better as southerners,and I started to write them as that mid-first draft.

There’s a lot more than this. Many lines I have rewritten to flow better, and I had to add a fair amount of character details. Evelyn’s costume changed slightly, her Companion’s fur color changed as well, and a few other Magical Girls were revised slightly.

What hasn’t changed so far are any major plot details. Even minor ones won’t change that much as opposed to get added entirely or filled out more. When I’m done, I’ll look for readers and then make changes based on other people’s feedback and not my own. Until then, I have a lot of writing to do.

I hope this gives you a small inside look on how writing really works. Too many people have an idea that we just dash out novels fresh and clear from our minds all in one sitting. It’s a lot of work, often requiring multiple drafts. But it’s fun work, and the story really starts to shape under the successive revisions.

Editing is almost done!

I’ve done the penultimate pass on my first children’s series novel. All that is left is a slow check for continuity errors, and then I can begin the packaging for self-publication. This involves several things:

1. Setting up a Paypal account, so I can pay for the following.

2. Getting a decent icon/avatar made by an artist on commission. Mostly to avoid scaring people. Handsome authors, you don’t know how lucky you are.

3. The biggest problem: cover art. What I dislike about many indie books is they use poor Playstation One quality computer graphics, or stock images, or some seriously bad art. The cover graphic is an important tool for showing professionalism, second only to the quality of your editing and writing as shown in the free sample. I want to try to get some relatively high quality manga or comic style art.

4. Formatting the manuscript for Kindle and Smashwords. If you do the latter, read their guide to formatting for their automated Meatgrinder process. It’s involved, and some things are counter-intuitive. One example is that you cannot use tabs to indent a paragraph. Instead they want you to define the indent in styles, and this is only shown how to do so in MS Word. Oh, by the way, get Word. I did, and I do not regret it in the slightest.

5. Registering copyright and getting an ISBN. Technically the latter is supposed to be 3.5, but these are two steps that are relatively hands off. I hold off on copyright in the case I need to change the manuscript slightly due to cover art. It’s easier I think to just rename a color than to ask an artist to completely recolor  the cover if the difference is minor.

6. Finally submitting my book to both Amazon and Smashwords, and then hoo boy, marketing. This will be my first self-published book, and I am learning as I go along.

After 6 I can finally write about my book specifically and what it’s about. I can say this, it’s a juvenile series book about the adventures of three young superheroes during an alien invasion. I’ll tell you more later, including a lot of the trivia and mental processes behind how it turned out the way it did.

But until then, I have work to do!

Editing blues.

It’s rougher to edit your first draft than it is to write it. It seems all the doubts I suppressed while striving to write the book resurface, and every new book I see looks at me in silent reproach. You can imagine what they’d say if my subconscious had a voice. You’re no good. It’s a waste of time. Your book is horrible.

You also have to be in the best shape. There is no rush of words on paper this time. You are going over plowed ground, and it’s a slow, halting process of addition and subtraction. That means any problems with your body, or your fatigue level seem multiplied. Editing through a cold or sickness can be surprisingly hard, and those make you weaker at resisting your negative subconscious.

Still, you plod on. The book starts to take more definite a shape. You still know you have more work to do, but there’s an end in sight. You do everything you can to motivate yourself, like bribery. And you set a deadline. You have to set one, because you need the pressure. You need to know you only have two months, or the temptation to slack becomes almost impossible to resist.

So you take hope, and look to the end of the path.  And use the un-virtue of stubbornness to shut up yourself and keep muling to a finished book. Such a glamorous writing life, huh?

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