Review: Infinite Stratos

Two stars out of five. There’s bad bad anime, and there is good bad anime, and this is good bad anime. For everything it gets wrong, it manages to get enough right to be enjoyable. However, it’s simply not good enough for me to rate at three stars.

Ichika has it rough. He’s the only boy able to pilot the IS exoskeleton, powered armor normally restricted to female-only use. He’s the brother of one of the best IS pilots in the world, and is now a student at the Infinite Stratos Academy, a place where people train for the “sport” they use the mechs for. He soon has it rougher when he finds out that as the only boy in an all-girls school, he gets a lot of attention. Then, there are the random IS suits that are running amuck…

I won’t split hairs. There are many things wrong with this anime. It’s a harem show, and the whole point of it is to have every single girl in the show chase after Ichika. If this means changing the personalities of certain characters after they are beaten by him, no problem. Ichika isn’t the worst harem protagonist in anime, but they make up for his good qualities by making him clueless to women’s feelings to a near autistic level. You have your sexy time scenes, your beach episode, and everything except the token lolita character.

You also have a very loose and casual sense of detail. The shenlong is supposed to be a close-ranged mech, but then they bust out the shoulder lasers. Mech power levels vary drastically as the series possess, with some seeming blatantly overpowered, and some surprisingly weak for their generation. The mechs have a shield system which absorbs damage until zero, in which it shuts down, but you see Ichika taking punches to the face from an exoskeleton covered arm. and for a sport which is legitimately seen as dangerous, the female pilots have little qualms about using what would be deadly force on Ichika and each other a bit too often.

However, there are good points, too. The mech design is good, and the world itself is interesting. The IS robots are governed by a treaty preventing any military use, and their total number is restricted to the amount of cores the creator of IS doles out to the nations of the world. That same creator seems to have limited the operation of the robots to girls only, giving a legitimate reason for all of the girls to gather together in the first place. Some characters are done well. Ichika’s sister is no-nonsense, and has a lot of good scenes. Charlotte is one of the better harem secondary characters I’ve seen; she’s competent, understands things, is not prone to hysterics, and pilots her IS with startling strength and ability. Ichika is good because he’s essentially normal apart from the insane cluelessness; he isn’t a sad sack, and he has fond relationships with people even as he worries about the past.

There’s also some cool humor. It helps if you are the kind of person who likes to riff on bad anime, but there are some legitimately funny lines, like when Laura declares her romantic attentions towards Ichika, or when the oddball creator of the IS shows up. A strength that some people might disagree with is the mundanity of the world. There are no epic fights against conquering alien races, or constant “unlock the power-up” quests. It’s just some young men and women dealing lightly with their past and unexpected, malfunctioning threats. The story also doesn’t explain quite everything about the world, or neatly wrap it up. If anything the ending between two characters is interesting precisely because it adds some detail that begs for further explanation.

Keep in mind that despite all this, it’s really a bad anime. Even if you like harem anime, characters like Cecila and the weird girl who dresses like Pikachu in the beach episode will grate on you, and it never rises to the levels it may hint at. But it isn’t as bad as Kampfer, Yumeria, or Demon King Daimao, where you can’t even find pleasure in riffing on it or noticing some of the subtle details of the world. I wish that the light novels this anime is based on would come to the states, because the anime hints at a richer world that it doesn’t have time to properly show you.

For Christians, I’d have to give it an R because of uncensored toplessness and mild sexual situations, aka skintight wetsuits. There’s also the bloodthirstiness of some of the women, which is played for laughs, but considering that they are firing lasers at an unshielded human, it can make you squirm a bit. If you’re a vet of harem anime, it might startle you at times with its sexiness. They use it for effect, which is something not many harem anime seem to do well.

If this were the old days, I’d say Infinite Stratos is a fun rental, the kind where you watch it over a weekend and mock it all the time you watch it. But in the end, you find you had a lot of fun doing so, and liked some of the potential of the world. Even if you like it a lot though, you’ll find yourself apologizing for it.

Review: Kenichi The Mightiest Disciple Season One

Three and a half out of five stars. It has a lot of good points, but gets formulaic fast. Apa-chai!

Kenichi is a non-assuming teen who likes to read “how-to” manuals, and tends to get bullied by everyone he meets. He attempts to join his school’s karate club in order to stop that, but finds that the club bullies him worse. A gigantic fellow freshmen threatens to kill him in an upcoming match, causing the wimpy Kenichi to be at his wit’s end.

Then, he meets the new transfer student Miu, and finds out she knows martial arts. She takes him to her dojo. One slight problem is that her dojo isn’t the usual kind; it houses six masters of martial arts who will toughen Kenichi up or kill him first. But toughening up has its own problems, as the stronger Kenichi gets, the more attention he draws too. Soon a tough gang named Ragnarok comes into play…

This sounds a lot more serious than the anime really is. KTMD is a mix of standard martial arts tropes (weak boy gets stronger and converts his enemies to his path,) and some genuinely funny humor. All of the characters have their nutty sides, and the anime loves to poke fun at them and itself. There’s Kenichi’s dad, who has an unhealthy attachment to his guns (“COME ON, SEBASTIAN!”) Apachai, the huge and grim looking Muy Thai master who is like a big friendly puppy that kills people, Miu’s dad, who manages to be insanely strong, wise, and humorous at the same time, and many more. It has the dramatic music you expect, but it isn’t afraid to use it to make you laugh. Whether a big battle, an argument between potential girlfriends, or Kenichi’s dad having an epic confrontation with a jar of tomatoes, the music is cued up. The humor is welcome from a genre that takes itself seriously most of the time.

The normal plot is all right, but the anime stumbles some. Season one is twenty-six episodes, but once Kenichi gets accepted into Ryozanpaku, it fades into “fight this new guy coming up, get beaten up, and ultimately win.” There are side episodes, but this is a long series not so much because the plot is intricate, but because they keep adding new character after new character. The first season ends not so much on a cliffhanger, but on the halfway point of a longer arc. There’s really not much tension that Kenichi will lose or suffer major setbacks either, so you end up watching it for the little scenes where Kenichi’s kid sister shows her brother complex, or the crazy masters of the dojo try some new, sadistic method of training on Kenichi.

One other annoying thing is that in many episodes, up to three minutes of  the running time is devoted to recapping the previous episode and the intro.  Considering how straightforwards each episode is these feel like filler, and I was skipping four minutes into the episode many times.

For Christians it’s PG. While there is violence, it’s not particularly graphic; usually Kenichi takes a beating before giving it back, and it never gets to a point where it makes you squeamish to watch. There’s some fan service, mostly centered around Miu and her skin-tight exercise getup, but no nudity.There’s some crude language, too. The spiritual aspects of martial arts aren’t delved into much, and there are some good messages about effort, practice, and not giving up. It’s fairly tame for the genre it’s in, actually; usually anime based on martial arts tends to be much more violent than this.

It’s a fun series, but I’m not sure it’s worth fifty-two episodes of watching. The comedy parts are stronger than the actual plot so far, and if you like crazy characters doing their things while remaining more or less the same, you’ll enjoy it.

Weird Manga Of The Day: Tie-Centaur No Nayami and Hatarake Kentauros

These are just two normal manga about a pretty high school student enjoying her daily life with friends, and a handsome salaryman adjusting to his new career in sales. Except for the fact that they are, well, centaurs.

CentaurNayami

Centaur No Nayami (“A Centaur’s Worries”) is about Hime, a centaur who lives in a world where things evolved from a six-legged ancestor rather than a four-legged one. The history of the world is fascinating, as she’s not the only type. Her student rep is an “angel” type, where her sixth limbs are actually her wings, and various others like mermaids, devils, satyrs, and snake-people exist. A lot of time and care was spent developing the world, and it shows, from showing how centaurs drive cars (imagine cars with no back seats, and flat front ones,) or how the history of the world came to be (centaurs were oppressed in western nations until the need for them as calvary in a local war emancipated them.)

It’s a slice of life series that’s surprisingly engaging.  There’s a mix between normal school life, and living in a strange world with it’s own unique problems. A class exchange at a local school for mermaids finds the most unattractive of Hime’s friends being the local beauty, since all the mermaids are unnaturally pretty, where as she’s more of a fox-eyed, stereotypically Japanese face. She winds up being more exotic, and not less. The class rep’s triplet kitty sisters lighten up the work, and it’s fun to read, albeit with a couple misfires I’ll go into when rating it.

Hatarake Kentauros is along similar lines. Centaurs exist in our world, and one male one is living in Tokyo pursuing a career in sales. Kentarou is a nice, affable, centaur working for a company that sells horse accessories. He’s moved to Tokyo to find work, and is getting used to corporate life. His sempai  is always there to give a helping hand, whether or not it’s to help deal with an elevator groper, or recover from a cold.kentarou

It’s interesting, but feels a little lightweight next to Nayami, due to being set in an ordinary world. In contrast though, it’s funnier, with the ever exasperated sempai acting as both a friend, a superior, and even sort of a nursemaid/mother to the fish out of water Kentarou. There’s a strong friendship there that makes the interactions interesting.

Ratings. Nayami would be PG if not for a lot of non-sexual nudity (how does a shower or bathroom work when you have four legs instead of two?) and two scenes which jar and are out of place. The tone of the series is more gentle slice of life, but you’ll want to skip chapter 0 due to out of place “mature situations,” and a later chapter is a repeat of it. It’s actually a seinen manga, and I’d probably rate it R overall because of the situations.

Kentarou is a mild PG, with only an elevator “groping” (which is innocently explained and is non-sexual on the groper’s end) as any objectionable content. The manga-ka Est Em has a history of doing yaoi work though, so there’s a small worry that she might go that route with the series.

Both manga are interesting takes on mythological creatures that really don’t get all that much love these days. Both manage to avoid the salaciousness of that whole genre too, although Nayami only partly. Cenaturs are kind of the Aquaman of fantasy fiction; concepts that not many people use or do well with as well as being slightly out of fashion. Both of these manga make something tired fresh and novel, and are well worth checking out.

Weird Manga Of The Day: Flight Highschool

So, I hear you like military aviation, and fighter jet planes. How about a webcomic about them anthropomorphized as girls and all going to high school together?

 

359px-Castfull

 

from the ak wiki

Yes, they all have their respective plane on their backs.

No, I really don’t get the jokes either. You have to be an aviation buff, I think.

One thing I notice about reading manga and watching anime is just how odd the portrayal of women can be. Not always sexist, or skeevy, but just odd. A girl can be a robot twelve inches or so tall, or can be physically attached to a guys arm like a hand puppet  (not as bad as it sounds…i think?)  It’s something we don’t see much in Western literature, even fantasy. Good or bad, I’ll let you decide.

Japanese + Technology= Strange

There’s good strange, like the Necomimi brain-wave cat ears, and there is bad strange, like using 3-D printing to make stunningly realistic doll heads. By stunningly realistic, I mean creepy.

scarydoll

 

Danny Choo, who writes a great blog called “Culture Japan,” had his own face cloned and put on a storm trooper doll, and the result is uncanny. It cost him around $1300, and the result is a doll that looks so lifelike, you’d be forgiven to think he’s hoaxing us.

It’s also not particularly expensive technology either. A lot of DSLR cameras, a good-quality 3-D printer, and you can make your very own mini eldritch abomination to haunt your dreams, and possibly steal your soul. Ugh, I’ll be right back, after I toss away all my Puppetmaster DVDs.

No Screens

 

If I had to pick two of my favorite anime, they would be My Neighbor Totoro  and Haibane Renmei. Totoro is a sweet story about two young children meeting the cuddly god of the forest, and Haibane is about a girl waking up without memories in a walled town. Both are beautifully made works of animation with a spirit unlike other anime, and both have something I didn’t really think about until a few days ago.

Not a single television, computer, or phone screen is present in either of them.

Totoro’s reason is that it’s set in 1958. Haibane doesn’t set a date, but its technology apart from the wind towers seems akin to something 1980 or less, but with no sign of televisions. Totoro has all of one phone, a rotary dial one which is probably the only one in the village. Haibane has no electronic technology that I can recall whatsoever; all the technology is mechanical. Both have severely limited contact with the outside world, to where they are plot points. When the children in Totoro play, they do so outside, and not an Ipod or game system can be found. The Haibane don’t even have heat in some of the rooms in Old Home, and even the books in the town’s library have no mention of the outside world.

It’s hard at time to realize just how much screens have dominated our lives in barely thirty years. Around when I was under ten, in the late seventies to early eighties, many things we took for granted were severely reduced or non-existent. You had a single console TV that used an antenna to pull in maybe five or six TV stations. Even the ones pulled in were often marred by noise or static. There were no specialized channels, either; a young child then wanting to watch television after school would be watching things like Bowling for Dollars rather than Nickelodeon or Cartoon Network. Same with evening television; you watched programs mostly catering to adults, with the occasional special for kids.

Even more amazing is that television actually stopped beyond a certain point. Stations would sign off for the day at around 11 P.M.-2 A.M. and run a test pattern until dawn or later. Even if you wanted to, you couldn’t watch it all the time. VCRs wouldn’t be introduced until later, and neither would basic cable. In real life, what this meant was children mostly relied on books, toys, and the great outdoors to occupy themselves, and adults were limited in the amount of electronic entertainment they could consume.

While both computers and cell phones were beginning around then, I’d argue it really wasn’t till 2000 or so that both became real fixtures in people’s lives. Screens were slowly becoming more and more predominant, but you could still resist them. Magazines did well alongside Geocities web pages, and watching movies meant a trip to the theater or the video store. Cell phones were still a toy of the rich and lacked even the basic features prepaid phones have today. It was a different world.

The reason why I go into this is that I think I like both so much because they have balance. The library in Haibane is precious precisely because it isn’t a screen with all the world’s knowledge in it. Because screens aren’t so omnipresent and cheap in Totoro, the children can have pleasure just in  playing and enjoying a spooky house and a lush, green woods. We live in a world where you can buy a disc with ten movies on it for five dollars, where people give away their novels for free, and where I can always be connected to people and information with a device costing under two hundred dollars. This has changed us, and not always in good ways.

Screens educate us, but they also numb us. Art in small doses inspires, but in large doses can make us inured to wonder. There’s a scene in Kiki’s Delivery Service where the artist Ursula invites her over to cheer her up. Problem is, Ursula lives a long way off from town. Ironically, the long journey makes the moment where Kiki finds the painting about her the more poignant, compared to if Ursula just pulled out an Ipad in town and showed her a GIF.  I hate this cliche, but the journey to the destination is also important, and a coin lost can seem more valuable than ten in hand.

I guess that’s why I love both Totoro and Haibane so much. The lack of screens, and the importance of the journey make what could be trite very meaningful. An Ipod, or easy access to cell phones and GPS would kill both as stories, and the connections the characters make are meaningful because they aren’t instantaneous, or easy to do or maintain. I have more reasons why I like both, and I plan to explore them in later posts. But the slow life that isn’t always moderated by screens and is bounded by limits makes for a strangely compelling world. Maybe a medicine to always-on 24-7 modern life.

Five Video Game Series That Should Be Made Into Anime

1. Kingdom Hearts

With all the endless sequels and revitalizing of old properties that Disney does, the fact that neither Disney or Square releases a single movie from it is bewildering. Kingdom Hearts has languished for quite some time now; Kingdom Hearts 3 will probably never see release on the PS3, and all we get are portable remixes for the DS or 3DS. You know that if they announced a movie, we’d all go pre-order tickets if just to see Cloud and Aeris again.

2. Phantasy Star Online

The Phantasy Star series is probably the third member of the trinity of classic RPGS; Final Fantasy, Dragon Warrior, Phantasy Star. PSO updated the classic RPGs with such style and grace, while creating the first online console Diablo-style RPG. It did so that despite endless problems with the game, people play and love it still. I literally had characters deleted due to bugs, and still kept leveling.

It puzzles me that we have yet to see any anime from it. For contrast, we saw an OAV from the lesser known (but still as awesome) Panzer Dragoon games, but this? Not a one.

3. Rune Factory

This series is one of the overlooked gems of the RPG world. It took the farming elements of Harvest Moon (which in itself is an incredibly influential series) and added fantasy and RPG elements. Rune Factory: Tides of Destiny is probably one of the better RPGS of this generation.

I’m surprised that what is a very shoujo-friendly premise has never really seen realization into anime. You’d have the potential for a wonderful, heartwarming slice-of-life story.

4. Mega Man Legends

It’s literally an anime already.

No, seriously, if you had to pick a single video game that embodied what anime could be, Megaman Legends two is it. This series has been unjustly neglected, and the cancellation of three for the 3ds annoyed a lot of fans. This series though gave a rich story to what had been a flat hero, and two in particular went the extra mile.

You all know you also want to see Tron Bonne animated too.

5. Sky Gunner

Okay, I’m breaking the definition of series here. I admit it. It borrows a little from Tail Concerto (all of the main characters have tails, although it isn’t apparent in the intro) but also from Castle in the Sky and Kiki’s Delivery Service. The game is hard to control, and suffers from the limits of the PS2 engine, but it has some honestly amazing sequences in it that beg to be made into anime.

So these are my five. What are yours?

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